The word important and how it’s applied to children’s and young adult books—especially “diverse books,” which is the way the publishing industry has come to describe books about marginalized characters, e.g. characters who are of color, LGBTQ, disabled, and/or from a marginalized religion—has been bothering me for some time. All of my books are about queer girls, and some of them are also Asian. My books have often been described as “important,” and while I understand that this is meant to be a compliment, it’s one that often grates on me.
Read MoreI've been purposely quieter on the internet this summer because I've felt like I needed a break from the noise. I probably follow too many political pundits and not enough calming voices. But I'm also sort of defensively taking some space for myself as I approach two things: the publication of A Line in the Dark in October, and the start of drafting my next novel.
Read MoreEight months! Which means things are getting real around here. There are a million things that have to happen before a book hits the bookstore shelves, involving everything from double- and triple-checking every word (shout out to copyeditors and proofreaders, who are invaluable), to designing the book cover (which is totally stunning and you will get to see very soon), to advance planning about book events and publicity and …
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