There is one person who multiple witnesses agree was present at Stonewall during the first night of the uprising, and who physically fought back against the police: Stormé DeLarverie, a Black, butch lesbian.
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When I began the research for Last Night at the Telegraph Club in earnest, I knew that I needed to know more about those lesbians of color. More specifically, I needed to know what it was like to be a Chinese American lesbian in San Francisco in the 1950s, but they were nearly invisible in the historical record.
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Although few people know of Dr. Margaret Chung today, her death was major news when she passed away in January 1959. In its front-page obituary, the San Francisco Chronicle described her as “‘Mom’ to thousands of veterans of World War II and show business celebrities,” but nowhere was it mentioned that Chung was probably gay. Had that been widely known, it’s unlikely that she would have been as publicly beloved.
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When did you first see yourself in a book? Ever since diversity and inclusion became a major part of the book world discourse, I’ve been asked this question over and over. I’m often tempted to say Little Women or Anne of Green Gables, but I know that I’m expected to respond with a book about a character that shares my race or sexual orientation.
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Today we no longer use the term “male impersonator” to describe a woman who performs onstage as a man; today we’d use the term “drag king.” But male impersonation was once a popular and mainstream entertainment, and some male impersonators were famous enough to tour nationally.
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A major part of the background research for Last Night at the Telegraph Club involved learning how Lily’s Chinese American identity would have been experienced by her and how it would have been perceived by others—not only her family and community, but by whites and other non-Chinese.
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